lionel shriver we need to talk about kevin

What was one of the most memorable moments of We Need to Talk About Kevin? If you could sum up We Need to Talk About Kevin in three words, what would they be? An amazing story which is entirely plausible. This tale could (and does) occur in far too many families - perhaps it may save some. Apart from the background of the mother who, in this book, is extremely literate and her 'tone', initially, somewhat condescending, the reader soon realizes that this 'tone' is perhaps more defensive than otherwise. The problems appears to be ones which the family can not solve because they are not so serious that they could be attributed to a major defect in the son. In a series of letters to her husband, the description of life with her family is laid bare - leading the reader through a series of events which collectively point to disaster. The exploration of family dynamics is brilliant and resonates The story explores the frustrations of having a reasonably bright but completely puzzling child - one with enough differences to cause concern - but the perception is not shared by his father, which naturally leads the mother to question her own observations.

The author weaves a tapestry so fine that the reader becomes more an observer who can't help identifying with the protagonist or questioning her actions, lack of action, and reactions. The actors are uniformly skillful (and Reilly’s voice is one of the current cinema’s charms), but Ramsay gives them little but prefabricated attitudes to work with.Probably one of the most cleverly-written books I have ever read. (The real story is the unexplained absence of family therapy.) Ramsay teases out the tale of the bad seed-one of nature’s terrors, a family’s worst nightmare-with woozy, vaguely subjective imagery, while exploiting (but not exploring) the very fascination that such monsters exert. Reilly), have a boy (played, as a teen, by Ezra Miller) who behaves maliciously toward her and manipulatively toward his father. Tilda Swinton stars as Eva Khatchadourian, a former travel writer now relegated to clerical work, whose recollections, triggered by easy visual rhymes, dose out snippets of a past that she remembers fully and painfully.

Lynne Ramsay’s coolly calculated drama, based on the novel by Lionel Shriver-about a suburban woman who recalls, in flashbacks, the events leading up to her teen-age son’s killing spree, while enduring her new life as the local pariah-masquerades as a psychological puzzle but is essentially a horror film full of decorous sensationalism.

Lionel shriver we need to talk about kevin